{"id":1888,"date":"2020-12-16T11:12:57","date_gmt":"2020-12-16T11:12:57","guid":{"rendered":"http:\/\/blogs.conted.ox.ac.uk\/mstcw\/?p=1888"},"modified":"2021-07-22T07:25:49","modified_gmt":"2021-07-22T07:25:49","slug":"alumni-publications-and-successes","status":"publish","type":"post","link":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?p=1888","title":{"rendered":"Alumni Publications &#8211; and Successes"},"content":{"rendered":"\n<p>Given all the wonderful successes of our alumni, we&#8217;ve decided to create a list. This is by no means complete, and we will be updating it as we go along. It&#8217;s in alphabetical order (work in progress), by first name, by the way, do use &#8220;Find&#8221; or &#8220;Search&#8221; if you are looking for someone or a particular work:<\/p>\n\n\n\n<p>Alexandra Strnad,<em>&nbsp;H Is for Hadeda<\/em>&nbsp;(Poetry Salzburg 2017) <br><em>                           Pilgrims<\/em>&nbsp;(Eyewear, 2018)<\/p>\n\n\n\n<p>Annette Pas,&nbsp;<em>The Country Where I Love You&nbsp;<\/em>(Uitgeverij Vrijdag 2008)<em>, <\/em><br><em>                    A Strange Intimacy<\/em> (Prometheus 2013)<\/p>\n\n\n\n<p>Art Allen,&nbsp;<em>The Nurseryman<\/em>&nbsp;(Kernpunkt Press, 2019)<\/p>\n\n\n\n<p>Bette Adriaanse,&nbsp;<em>Rus Like Everyone Else<\/em>&nbsp;(Unnamed Press 2015)<\/p>\n\n\n\n<p>Blanka Cechova,&nbsp;<em>Total Balkans&nbsp;<\/em>(O.S.N. Opravdu Skv\u011bl\u00e9 Nakladatelstv\u00ed &#8211; Jaroslav \u010cech 2017)<\/p>\n\n\n\n<p>Cam Ralphs,&nbsp;<em>Malkin<\/em>&nbsp;(Emma Press 2015)&nbsp;<\/p>\n\n\n\n<p>Catherine Higgins-Moore,&nbsp;<em>Strange Roof<\/em>&nbsp;(Finishing Line Press 2017)<\/p>\n\n\n\n<p>Charlotta Larsson,&nbsp;<em>F\u00f6rvandlerskan&nbsp;<\/em>(Bokf\u00f6rlaget Forum 2015)<\/p>\n\n\n\n<p>Carlos Llaza,&nbsp;<em>Naturaleza muerta con langosta<\/em>&nbsp;(Buenos Aires Poetry 2017)<\/p>\n\n\n\n<p>Chris Viner,\u00a0<em><a href=\"https:\/\/www.sterlingclackclack.com\">Brief Tenancies<\/a><\/em> (J. New Books 2021), a portion of royalties will go to the Foundation for Peace.<br>                    <em>Lemniscate<\/em>\u00a0(Unsolicited Press 2017)<\/p>\n\n\n\n<p>Cressida Peever,&nbsp;<em>The Glass Spider<\/em> (Lazy Bee Scripts 2016), first performed as part of the Chesil Theatre 10&#215;10 New Writing Festival; <br><em>                       Sex Education \u2013 performed at the <\/em>Edinburgh Fringe 2017<\/p>\n\n\n\n<p>Daisy Johnson,&nbsp;<em>Fen<\/em>&nbsp;(Vintage 2017),&nbsp;<br><em>                         Everything Under<\/em>&nbsp;(Jonathan Cape 2018)&nbsp;<br><em>                        Sisters<\/em>&nbsp;(Penguin 2020)<\/p>\n\n\n\n<p>David Shook&nbsp;<em>Our Obsidian Tongues<\/em>&nbsp;(Eyewear 2013)<\/p>\n\n\n\n<p>Elena Kaufman,&nbsp;<em>Love Bites<\/em>&nbsp;(Unbound 2018)<\/p>\n\n\n\n<p>Emma Fenton-Wells,<em>C*mbucket&nbsp;<\/em>&#8211; Scriptspace 2018 finalist and performed at The Space, London. In development for 2021 production.<br><em>                              Populist <\/em>produced by Part of the Night, 2019 R&amp;D supported by Arts Council England, and 2021 UK tour.<br><em>                              The End of Us<\/em>&nbsp;&#8211; performed at 2020 Two Fest festival at The Space, London.<\/p>\n\n\n\n<p>Frances Macken,&nbsp;<em>The Diary of Natalya Zlota&nbsp;<\/em>(Frances Macken 2015)<br><em>                            You Have to Make Your Own Fun Around Here<\/em>&nbsp;(Oneworld, April 2020)<\/p>\n\n\n\n<p>Gry Str\u00f8mme, <em>Under samme sol<\/em>(Vigmostad &amp; Bj\u00f8rke AS 2020)<\/p>\n\n\n\n<p>Hazel Barkworth,&nbsp;<em>Heatstroke<\/em>&nbsp;(Headline Review 2020)<\/p>\n\n\n\n<p>Humphrey Astley,&nbsp;<em>Alexander the Great: a Folk Operetta <\/em>three-part album and stage-show (PinDrop\/PRSF, 2013-15)&nbsp;<br><em>                            The Gallows-Humored Melody<\/em>&nbsp;(Albion Beatnik Press, 2016)&nbsp;<br><em>                              Reasons Not to Live<\/em>&nbsp;<em>There<\/em>&nbsp;(Sabotage Reviews Recommended Release, 2012), <br>                          <em>The One-Sided Coin<\/em> (Rain Over Bouville, 2018)Humphrey \u2018Huck\u2019 Astley &#8211; <\/p>\n\n\n\n<p>James Benmore, <em>Dodger (Quercus 2013), <\/em><br><em>                          Dodger of the Dials (Quercus 2014), <\/em><br><em>                        Dodger of the Revolution (Quercus 2016)<\/em><\/p>\n\n\n\n<p>James Ellis,&nbsp;<em>The Wrong Story<\/em>&nbsp;(Unbound 2017),&nbsp;<br><em>                   Happy Family<\/em>&nbsp;(Unbound 2020)<\/p>\n\n\n\n<p>James Roderick,&nbsp;<em>The Salesman&#8217;s Shoes<\/em>&nbsp;(Modern English Tanka Press 2007)<\/p>\n\n\n\n<p>Jana Casale,&nbsp;<em>The Girl Who Never Read Noam Chomsky<\/em>&nbsp;(Knopf 2018)<\/p>\n\n\n\n<p>JC Niala, Contributor to&nbsp;<em>Contemporary Plays by African Women (Unsettled)<\/em>&nbsp;(Methuen Drama 2019)<\/p>\n\n\n\n<p>Jen Thorp, Librettos:&nbsp;<em>The Schubert Project: Heider\u00f6slein<\/em>, commissioned by Oxford Lieder Festival, Oct 2014;&nbsp;<br><em>                               Four Motets After Bach<\/em>, commissioned and performed by Armonico Consort, Sept 2015;&nbsp;<br><em>                            Madrigals<\/em>, commissioned for Rambert Dance Company, Sept 2015;&nbsp;<br><em>                         After Orlando<\/em>, commissioned and performed by Exultate Singers, Oct 2016;&nbsp;<br><em>                     The Astronomer\u2019s Carol<\/em>, commissioned and performed by Armonico Consort, Dec 2015;&nbsp;<br><em>                 Under The Surface<\/em>,\n commissioned by the Life Of Breath Project at the University of \nBristol, performed by the Brabant Ensemble &amp; Bristol University \nSingers, Nov 2016;&nbsp;&nbsp;<br><em>                   Music, Make: Anthem For St Cecilia<\/em>,\n commissioned for the Festival Of St Cecilia annual event held by the \nMusicians Benevolent Fund. Performed by the combined choirs of \nWestminster Abbey, St Paul\u2019s Cathedral&nbsp; and Westminster Cathedral Choir,\n and performed at Westminster Abbey, Nov 2016;&nbsp;<br><em>                 Annual Official Christmas Carol<\/em>, commissioned by BBC Music Magazine, Dec 2017;&nbsp;<br><em>                   The Choice<\/em>,\n frame opera libretto commissioned by Vocal Futures, performed at \nBritten Theatre, conducted by Suzi Digby, 14-15 October 2016;&nbsp;<br><em>                   Beowulf<\/em>,\n commissioned by Armonico Consort &amp; AC Academy Singers with a score \nby Toby Young, performed with soprano Elin Manahan Thomas and harpist \nCatrin Finch;&nbsp;<br><em>                Witch: An Opera<\/em>, commissioned\n by the University of Oxford Faculty of Music, with a score by Toby \nYoung, performed at the Jacqueline de Pre theatre<\/p>\n\n\n\n<p>Jeremy Hughes&nbsp;<em>Dovetail<\/em>&nbsp;(Alcemi Press 2011),&nbsp;<em>Wingspan<\/em>&nbsp;(Cillian Press 2013)<\/p>\n\n\n\n<p>Jing Lee,&nbsp;<em>If I Could Tell You<\/em>&nbsp;(Marshall Cavendish 2013),&nbsp;<br><em>              How We Disappeared<\/em>&nbsp;(Oneworld, 2018)<\/p>\n\n\n\n<p>Jingan Young,&nbsp;Jingan Young,&nbsp;<em>Filth<\/em> or &#8220;Failed in London, Try Hong Kong&#8221; ,Hong  Kong Arts Festival, March 2014<br><em>                                               Foreign Goods<\/em>&nbsp;(Oberon Books, 2018)<\/p>\n\n\n\n<p>Jonny Flieger,&nbsp;<em>You are Among Monsters<\/em>&nbsp;(Palimpsest Press 2017)<\/p>\n\n\n\n<p>Katherine MacInnes,&nbsp;<em>Love and Death and Mrs Bill: A Play About Oriana, Wife of Polar Explorer Edward Wilson<\/em> (Snow Widow 2013) <br><em>                               Oriana: Woman with Iceberg Eyes<\/em>&nbsp;(History Press 2019)<\/p>\n\n\n\n<p>Kiran Millwood Hargrave,&nbsp;<em>Splitfish<\/em> (Gatehouse Press, 2014)<br><em>                                        The Girl of Ink and Stars <\/em>(Chicken House 2016),&nbsp;<br><em>                                      The Island at the End of Everything <\/em>(Chicken House 2017),&nbsp;<br><em>                                      Orpheus and Eurydice<\/em>&nbsp;(Bloomsbury 2017),&nbsp;<br><em>                                     The Way Past Winter<\/em>&nbsp;(Chicken House 2018),&nbsp;<br><em>                                     The Mercies (Picador 2019), <\/em><br><em>                                     The Deathless Girls <\/em>(Orion Childrens\u2019 Books, 2019)<br>                                    <em> A Secret of Birds and Bone<\/em> (Chicken House, 2020)<\/p>\n\n\n\n<p>Lani Yamamoto,&nbsp;<em>St\u00edna<\/em>&nbsp;(V &amp; A Publishing 2015)<\/p>\n\n\n\n<p>Laura Theis,&nbsp;<em>How to Extricate Yourself<\/em>&nbsp;(Dempsey &amp; Windle 2020)<\/p>\n\n\n\n<p>Lex Coulton,&nbsp;<em>Falling Short<\/em>&nbsp;(John Murray 2018)<\/p>\n\n\n\n<p>M J Holmes, <em>Heliotrope with Matches and Magnifying Glass<\/em> (Pindrop Press 2018) <br>                    <em>Don&#8217;t Tell the Bees<\/em> (Ad Hoc Fiction, 2020)<br>                    <em>Dihedral<\/em> (Live Canon Press, 2020)<\/p>\n\n\n\n<p>Madiha Bee,&nbsp;<em>The Lightworkers<\/em>&nbsp;(Pinyon Publishing 2020)<\/p>\n\n\n\n<p>Mariah Whelan, <em>the love i do to you<\/em> (Eyewear, 2019) <br>                         <em>The Rafters are Still Burning<\/em> (Dancing Girl Press, forthcoming 2021)<\/p>\n\n\n\n<p>Maya Popa,&nbsp;<em>The Bees Have Been Canceled<\/em>&nbsp;(Southward Press 2017),&nbsp;<br><em>                      You Always Wished the Animals Would Leave<\/em> (New Michigan Press, 2018)<br><em>                     American Faith (<\/em>Sarabande, 2019<\/p>\n\n\n\n<p>Michael Collins,&nbsp;<em>The Death of All Things Seen<\/em>&nbsp;(Head of Zeus, 2016)<\/p>\n\n\n\n<p>Morgan Christie,&nbsp;<em>Variations on a Lobster\u2019s Tale<\/em>&nbsp;(New Plains Review Publishing Group 2018)<br><em>                          These Bodies<\/em>  (Tolsun press, 2020)<\/p>\n\n\n\n<p>Nabin Chhetri,&nbsp;<em>Bini<\/em>&nbsp;(Red Mountain Press 2016)<br><em>I, Father<\/em> (forthcoming with Eyewear publishing)<\/p>\n\n\n\n<p>Nemat Sadat,&nbsp;<em>The Carpet Weaver<\/em>&nbsp;(Penguin India June 2019)<\/p>\n\n\n\n<p>Nick Bruckman,&nbsp;<em>Pufferfish<\/em>&nbsp;\u2013 performed at the Pleasance, April 2016<\/p>\n\n\n\n<p>Pat Toland,&nbsp;<em>Stockholm<\/em>&nbsp;(Templar Press 2014)<\/p>\n\n\n\n<p>Patrick Cash, <em>The Chemsex Monologues <\/em>(Play &#8211; Bloomsbury 2016)<br><em>                      The HIV Monologues <\/em>(Play &#8211; Bloomsbury 2016)<br><em>                      Anti-Hate Anthology <\/em>(Editor &#8211; Spoken Word London 2019)<br><em>                      \u2018Cracks\u2019 <\/em>in&nbsp;<em>The London Magazine&nbsp;<\/em>(Short story &#8211; 2021)<\/p>\n\n\n\n<p>Prajwal Parajuly,&nbsp;<em>The Gurkha\u2019s Daughter<\/em>&nbsp;(Quercus 2014),&nbsp;<br><em>                         Land Where I Flee<\/em>&nbsp;(Quercus 2015)<\/p>\n\n\n\n<p>Romola Parish,&nbsp;<em>Crying in the Silicon Wilderness: Meditations on Faith&nbsp;<\/em>(OxfordFolio 2017)<\/p>\n\n\n\n<p>Rory Gleeson,&nbsp;<em>Rockadoon Shore<\/em>&nbsp;(John Murray 2017)<\/p>\n\n\n\n<p>Rose Edwards,&nbsp;<em>The Harm Tree<\/em>&nbsp;(UCLan 2019)<\/p>\n\n\n\n<p>Sabyn Javeri,&nbsp;<em>Nobody Killed Her<\/em>&nbsp;(HarperCollins India 2017)<\/p>\n\n\n\n<p>Sam Bully-Thomas,&nbsp;<em>Cane<\/em>&nbsp;(Wundor Editions 2017)<\/p>\n\n\n\n<p>Sam Moore,&nbsp;<em>All my Teachers Died of AIDS<\/em>&nbsp;(Pilot Press 2020)<\/p>\n\n\n\n<p>Samir Guglani,&nbsp;<em>Histories<\/em>&nbsp;(Riverrun 2017)<\/p>\n\n\n\n<p>Sabyn Javeri,&nbsp;<em>Hijabistan<\/em>&nbsp;(Harper India 2019)<\/p>\n\n\n\n<p>Sarvat Hasin,&nbsp;<em>This Wide Night<\/em> (Penguin Books India 2017),<br>                       <em>The Giant Dark<\/em>&nbsp;(Dialogue Books 2021)<\/p>\n\n\n\n<p>Sophy Roberts,&nbsp;<em>The Lost Pianos of Siberia&nbsp;<\/em>(Doubleday 2020)<\/p>\n\n\n\n<p>Stephanie Chong,&nbsp;<em>Where Demons Fear to Tread&nbsp;<\/em>(Harlequin 2011),&nbsp;<br><em>                            The Demoness of Waking Dreams <\/em>(Harlequin 2012)&nbsp;<\/p>\n\n\n\n<p>Stephanie Scott, <em>What&#8217;s Left Of Me Is Yours<\/em> (Weidenfeld &amp; Nicolson \/ Doubleday 2020)<\/p>\n\n\n\n<p>Susie Campbell,&nbsp;<em>The Bitters<\/em>&nbsp;(Dancing Girl Press 2014),&nbsp;<br><em>                          The Frock Enquiry<\/em>&nbsp;(Annexe 2015)<br><em>                           I return to you <\/em>(Sampson Low, 2019)<br><em>                          Tenter <\/em>(Guillemot Press, 2020)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Given all the wonderful successes of our alumni, we&#8217;ve decided to create a list. This is by no means complete, and we will be updating it as we go along. It&#8217;s in alphabetical order (work in progress), by first name, by the way, do use &#8220;Find&#8221; or &#8220;Search&#8221; if you are looking for someone or [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_s2mail":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15,4],"tags":[],"class_list":["post-1888","post","type-post","status-publish","format-standard","hentry","category-alumni_news","category-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p40Qhf-us","jetpack-related-posts":[{"id":2254,"url":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?p=2254","url_meta":{"origin":1888,"position":0},"title":"Recent Alumni Successes","author":"MSt Creative Writing","date":"January 24, 2025","format":false,"excerpt":"We wanted to celebrate the successes in 2024 of three MSt alumni - Christine Anne Foley, Daisy Johnson and Jingan Young. Christine's novel Bodies was one of last year's most acclaimed debuts; Daisy's latest collection of short stories, The Hotel, further solidified her reputation as one of the leading writers\u2026","rel":"","context":"In &quot;Alumni News&quot;","block_context":{"text":"Alumni News","link":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?cat=15"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.conted.ox.ac.uk\/mstcw\/wp-content\/uploads\/2025\/01\/Christine-Foley.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1478,"url":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?p=1478","url_meta":{"origin":1888,"position":1},"title":"Poetry reading and chapbook launch by MSt Tutor Jamie McKendrick and MSt alumni Maya Catherine Popa, Oxford 6th July 2018","author":"MSt Creative Writing","date":"May 28, 2018","format":false,"excerpt":"Poetry reading and chapbook launch by MSt Tutor Jamie McKendrick and MSt alumni Maya Catherine Popa, organised and introduced by MSt Tutor Jenny Lewis 6.30-8.30pm, FRIDAY 6th JULY at the Quaker Meeting House, St. Giles, Oxford. Jamie and Maya will be reading a selection of their work including from Jamie's\u2026","rel":"","context":"In &quot;Alumni News&quot;","block_context":{"text":"Alumni News","link":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?cat=15"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blogs.conted.ox.ac.uk\/mstcw\/wp-content\/uploads\/2018\/05\/Maya-C.-Popa--300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":609,"url":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?p=609","url_meta":{"origin":1888,"position":2},"title":"MSt students and alumni: poetry success for David Shook, Sophie Clark, Mariah Whelan, Alexandra Strnad, Kiran Milwood Hargrave, Maya Popa","author":"MSt Creative Writing","date":"November 1, 2013","format":false,"excerpt":"MSt in Creative Writing students and alumni have been very successful in 2012-2013, publishing, being listed for and winning prizes and residencies, and working with other poets and aspiring poets. Here are a few highlights: MSt alumnus and translator David Shook\u2019s debut book of poems, Our Obsidian Tongues (http:\/\/ourobsidiantongues.com\/), was\u2026","rel":"","context":"In &quot;Alumni News&quot;","block_context":{"text":"Alumni News","link":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?cat=15"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1342,"url":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?p=1342","url_meta":{"origin":1888,"position":3},"title":"MSt alumnus Chris Viner&#8217;s poetry collection to be published by Unsolicited Press on 31st October 2017","author":"MSt Creative Writing","date":"October 23, 2017","format":false,"excerpt":"MSt alumnus Chris Viner's poetry collection\u00a0Lemniscate, will published by Unsolicited Press on 31st October 2017. You can read about it, and (pre-)order it from the publishers.","rel":"","context":"In &quot;Alumni News&quot;","block_context":{"text":"Alumni News","link":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?cat=15"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.unsolicitedpress.com\/uploads\/1\/8\/8\/2\/18828530\/s224039681740579826_p121_i1_w528.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1026,"url":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?p=1026","url_meta":{"origin":1888,"position":4},"title":"MSt alumnus Nabin Chettri&#8217;s collection receives award from Red Mountain Press","author":"MSt Creative Writing","date":"May 4, 2016","format":false,"excerpt":"MSt alumnus Nabin Chettri's collection, 'Bini - Poems of a Forgotten Country\u2019\u00a0 has been honoured with a Discovery Award 2015 by the Red Mountain Press. http:\/\/redmountainpress.us\/poetry-prize\/","rel":"","context":"In &quot;Alumni News&quot;","block_context":{"text":"Alumni News","link":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?cat=15"},"img":{"alt_text":"FullSizeRender","src":"https:\/\/i0.wp.com\/blogs.conted.ox.ac.uk\/mstcw\/wp-content\/uploads\/2016\/01\/FullSizeRender-300x286.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2179,"url":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?p=2179","url_meta":{"origin":1888,"position":5},"title":"Congratulations to MSt alum Sam Moore","author":"MSt Creative Writing","date":"June 22, 2023","format":false,"excerpt":"MSt alum Sam Moore\u2019s new book, Search history, is now available from Queer Street Press (https:\/\/queerstreetpress.com\/Menu).","rel":"","context":"In &quot;Alumni News&quot;","block_context":{"text":"Alumni News","link":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/?cat=15"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=\/wp\/v2\/posts\/1888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1888"}],"version-history":[{"count":25,"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=\/wp\/v2\/posts\/1888\/revisions"}],"predecessor-version":[{"id":1981,"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=\/wp\/v2\/posts\/1888\/revisions\/1981"}],"wp:attachment":[{"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.conted.ox.ac.uk\/mstcw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}